It’s always been someone’s apocalypse

WORK IN PROGRESS SHOWING

By Damian Tatum

A debacle Production

How long has it been there? An itch you can’t scratch. 

That feeling, A silent alarm, sounding under the fog of you. 

Stone the Crows is, primarily, the story of four crows incrementally shot off an electrical line in front of the last tree in existence. In reality: four actors, perform upon a balancing apparatus, not knowing the order in which they will perish. 

A faux classic, a cheap thrill, rapturous consequences, silent hopes – our actors staging their harbingers of death, get more than they bargain for as reality and fiction blur. 

It’s always been someone’s apocalypse.

Yours might just be now.

WORK IN PROGRESS SHOWING

By A Little Life Theatre

What does it mean to be objectified, looked at, cut open, torn apart and put back together again? What is a body and what stories does it hold? How are bodies both at once abhorrent and beautiful?

The Politics of Undressing is a work of physical theatre that combines elements of iconic bombshell blondes throughout the centuries as our protagonist transforms from ingenue, debutante, femme fatale, girl next door, monstrous beguiling creature, and more. 

Drawing upon imagery from popular culture and art forms like burlesque A Little Life Theatre creates a work of contemporary relevance that casts a critical lens on the politicisation of bodies.